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Not very long ago, acoustic musicians had few choices when it came to amplifying their instruments. Those who performed in large venues with high-quality PA systems got by, but players who simply wanted to jam along with louder instruments (and let's face it, almost every instrument is louder than even the punchiest dreadnought), play in small coffeehouses, or use an amp as a simple on-stage monitor were stuck with units designed with Strats and Les Pauls in mind, not D-28s or J-200s. Although some amps, such as Roland's classic JC-120, are clean enough to reasonably reflect an acoustic sound, the vast majority of electric amps color the sound too much, feature too much midrange, and offer little headroom once they're slammed with the large frequency spectrum of a fine acoustic-electric guitar. The acoustic guitarist needs an amp that's more closely related to a hi-fi system than a Marshall stack. |
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